Ta Prohm's state of ruin is a state of beauty, which is investigated with delight and left with regret.
Ta Prohm is locating southwest of the East Mebon and east of Angkor Thom. Its outer enclosure is near the corner of Banteay Kdei. It can be accessed by enter the monument from the west and leave from the east entrance.
Tip: Ta Prohm is especially serene and beautiful in the early morning. A torch and a compass are useful for visiting this temple at all times. It was built about mid-12th century to early 13th century (1186) by the King Jayavarman VII, dedicated to the mother of the king (Buddhist) replica to Bayon style of art.
BACKGROUND
Ta Prohm is the undisputed capital of the kingdom of the Trees'. It has been left untouched by archaeologists except for the clearing of a path for visitors and structural strengthening to stave of further deterioration.
Because of its natural state, it is possible to experience at this temple the wonder of the early explorers when they came upon these monuments in the middle of the nineteenth century.
Shrouded in dense jungle the temple of Ta Prohm is ethereal in aspect and conjures up a romantic aura. Fig, banyan and kapok trees spread their gigantic roots over stones, probing walls and terraces apart, as their branches and leaves intertwine to form a roof over the structures. Trunks of trees twist amongst stone pillars. The strange, haunted charm of the place entwines itself about you as you go, as inescapably as the roots have wound themselves about the walls and towers', wrote a visitor 40 years ago.
A Sanskrit inscription on stone, still in place, give details of the temple. Ta Prohm 3,140 villages. It took 79,365 people to maintain the temple including 18 great priests, 2,740 officials, 2,202 assistants and 615 dancers. Among the property belonging to the temple was a set of golden dishes weighing more than 500 kilograms, 35 diamonds, 40,620 pearls, 4,540 precious stones, 876 veils from China, 512 silk beds and 523 parasols. Even considering that these numbers were probably exaggerated to glorify the king, Ta Prohm must have been an important and impressive monument.
LAYOUTTa Prohm is among the largest of the monuments in the Angkor complex, the in scrimption gives an idea of the size of the temple. The complex included 260 statues of gods, 39 towers with pinnacles and 566 groups of residences. Ta Prohm comprises a series of long low buildings standing on one level, which are enclosed by rectangular laterite wall (600 by 1,000 meters, 1,959 by 3,281 feet). Only traces of the wall are still visible. The center of the monument is reached by a series of towers connected with passages. This arrangement forms a ' sort of sacred way into the heart of the monument’; three-square galleries enclose the area.
LAYOUT
Ta Prohm is among the largest of the monuments in the Angkor complex, the in scrimption gives an idea of the size of the temple. The complex included 260 statues of gods, 39 towers with pinnacles and 566 groups of residences. Ta Prohm comprises a series of long low buildings standing on one level, which are enclosed by rectangular laterite wall (600 by 1,000 meters, 1,959 by 3,281 feet). Only traces of the wall are still visible. The center of the monument is reached by a series of towers connected with passages. This arrangement forms a ' sort of sacred way into the heart of the monument’; three-square galleries enclose the area.
Ta Prohm is among the largest of the monuments in the Angkor complex, the in scrimption gives an idea of the size of the temple. The complex included 260 statues of gods, 39 towers with pinnacles and 566 groups of residences. Ta Prohm comprises a series of long low buildings standing on one level, which are enclosed by rectangular laterite wall (600 by 1,000 meters, 1,959 by 3,281 feet). Only traces of the wall are still visible. The center of the monument is reached by a series of towers connected with passages. This arrangement forms a ' sort of sacred way into the heart of the monument’; three-square galleries enclose the area.
CENTRAL SANCTUARY
Follow the plan and walk through the Central Sanctuary, recognizable by its undecorated interior. The stone has hammered, presumably to apply a coating probably of paint or gilt. Evenly spaced ' holes in the wall from floor to ceiling suggest a covering of wood, stucco or metal.
Follow the plan and walk through the Central Sanctuary, recognizable by its undecorated interior. The stone has hammered, presumably to apply a coating probably of paint or gilt. Evenly spaced ' holes in the wall from floor to ceiling suggest a covering of wood, stucco or metal.
Walk across the central courtyard towards the left (northeast) and through the door of a gallery that is framed by the roots of a tree. Turn left and walk through a dark passageway and a courtyard. Enter the aisle with pillars, turn right, walk straight between twin towers and to the right into a very narrow passage which houses the inscription of the temple. Return by the same passage, turn right and continue straight, passing through a vestibule. The false doors on the north and south sides of the large rectangular enclosure with high walls are finely decorated. There are four small courts with galleries and pillars (12). Ritual dances may have been performed in this area.
Walk across the courtyard and into the entry tower of the enclosing wall, at the east entrance. It is in the shape of a cross with pillars on the interior, four wings and two passages on the side. The walls of these passages are decorated with relief. To the left there is a hall with pillars placed close together. They probably provided the base for a structure built of wood. Beyond are small rectangular cells, which surround the exterior of Ta Prohm.
One leaves Ta Prohm by a path (400 meters, 1,32 feet long) leading to the exterior enclosure where section of the wall are visible.
So the temple is held in a stranglehold of trees. Stone and wood clasp each other in grim hostility; yet all is silent and still, without any visible movement to indicate their struggle as if they were wrestlers suddenly petrified, struck motionless in the middle of a fight, the rounds in this battle were not measured by minutes, but by centuries.
So the temple is held in a stranglehold of trees. Stone and wood clasp each other in grim hostility; yet all is silent and still, without any visible movement to indicate their struggle as if they were wrestlers suddenly petrified, struck motionless in the middle of a fight, the rounds in this battle were not measured by minutes, but by centuries.
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